General Specifications Voices: eight. Multi timbrality: eight part. Parameters: patch, number of voices, midi channel, key range, fine tune (x8), output routing (x8), dynamics range (x8), dynamics fade (x8). Audio outputs: one stereo per voice. One main stereo and main mono output. Interface: 32 knobs (relative and jump modes), 1 rotary encoder, 35 tactile switches, 24 LEDS. Display: 16 x 2 back lit liquid crystal. Memory: 256 sound patches, 128 multi patches in RAM. Weight: 20 lbs. Dimensions: 4 rack spaces, 15 inches deep Power: 90 - 250 volts AC auto switching Voice Architecture Two voltage controlled discrete analog oscillators. Waveforms: triangle, sawtooth and variable width square. All waveforms output simultaneously. Syncing of Osc 2 to Osc 1. Two voltage controlled discrete analog filters. 24db (classic Moog), 12 db (classic Oberheim). 12db filter has low pass, bandpass, high pass, and band reject modes. Each voice has the capabIlIty of having four different filters available for use. Additional filters (up to 2 per voice) can be added as desired in any number. Filters do not operate in series or parallel. Current additional filters avallable: Roland 303 and Arp 2600. Three low frequency oscillators. (LFO3 fixed to voice panning. ) Waveforms: triangle, sawtooth, reverse sawtooth, square, noise, random. Up to three destinations and depths each for LFOS 1&2 with range, delay, key trigger, phase, mode (mono or poly), quantize, and midi sync. Three multiple stage envelope generators. Attack, decay, sustain and release with inverting and multiple triggering. Envelopes 1&2 have additional delay, decay2, and breakpoint parameters. Envelope 1 fixed to filter frequency. Envelope 2 fixed to amplifier level. Envelope 3 is assignable with up to three destinations and depths. Additional Features Oscillator 2 audio frequency modulation. Destinations: Osc 1 frequency, Osc 1 pulse width, filter frequency. White noise generator. Auto triggering external input processor on each voice. Parameters: input level, trigger level, mix level, window. Arpeggiator. Parameters: tempo, direction, range, interval, midi sync. Glide, linear or exponential/ Parameters: time, mode (auto, legato, glissando), autoglide interval, dynamics, destination. Unison mode. One, two, four, six, or eight voices. Midi Specifications In out and thru. Receives: program change, bank select, glide on/off, glide time, volume, and SYSEX. Controllers: dynamics, modwheel, bender, pressure destination and amount (x2), controller 1 assignment - dyn, mod, pressure, bend, tracking, continuous cont #2 (x2), controller 1 amount (x2), controller 2 assignment - same as controller 1 (x2), controller 2 amount (x2). Dynamics, tracking, and bender have positive and negative modulation. Fixed continuous controller assignments for all key functions. Modulation Destinations: LFOs 1&2 and envelope 3: VCO l&2 frequency, pulse width, and mix level, VCF frequency and resonance, noise level, Xmod amount, LFOs l&2 rate and depth, VCA level, and external mix level. Midi controllers (dynamics, modwheel, bender, pressure, trackng, and breath controller): all LFO1&2 and envelope 3 destinations plus: envelope 1, 2, and 3 attack, decay, sustain, release, and amount.
S T U D I O E L E C T R O N I C S
18034 VENTURA BLVD. - STE. 169 - ENCINO, CALIFORNIA 91316 - TEL. 818/776-8104 - FAX. 818/776-1733